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"What's he been doin' now, Bill?" asked Maurice as Billy and the crow joined him beside the root-house.,

The house, or at least the front of it, was built after a design by Inigo Jones. The pediment was perforated by a circular window glazed with a casement whose frame resembled the spokes of a ship's wheel. A variety of antique symbolism resembling the hideous sculptures which sometimes close the chapters in books of the seventeenth century, under-ran the eaves. The tall, narrow windows gleamed blackly amidst the skeletons of the winter, or the coloured embroidery of the[Pg 3] summer creepers. The hall door was noble and hospitable in expanse. A carriage drive swept from it on either hand the oval lawn to a handsome gate whose supports were crowned by the arms of the Actons on the one hand and the arms of a family into which one of the Actons had married on the other hand.,

"I don't want Maurice," Billy hastened to explain. "Ma wants Missus Keeler to come over an' give her a hand, so I'm on my way to tell her. Honest, Mr. Keeler, that's right.",

"Yes ma'am. I guess she'll never be able to use it ag'in."

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"Don't you have nuthin' to do with it, Ma!" he cried. "That Croaker's a witch crow, that's what he is! He's tryin' to tempt you with gold!",

Captain Acton looked at his companion in silence, but with an expression of gentle concern.,

The night came down in a heavy shadow that was not lightened by its burden of stars. The foam of the sea looked as spectral as the faint astral splashes in the velvet deeps on high through which sailed many visionary shapes of cloud. A little time before it fell dark, and when the soft, moist crimson of the sun that was set yet lurked in the west, the steward Paul went aft with lanterns for the cabins occupied by the Captain, the mate, and Miss Lucy Acton. The great cabin, or living-room, was already lighted by two lanterns which swung from hooks on either side the skylight fore-and-aft. The lanterns Paul bore were small, of iron frames fitted with glass, and in them was consumed a mesh which was fed with oil.,

He was Mr Walter Lawrence, a son of Admiral Lawrence, and down to a recent period a lieutenant in the Royal Navy. He was something over thirty years of age, but drink, dissipation, the hard life of the sea and some fever which had got into his blood and proved intermittent, had worked in his face like time, and he might have passed for any age between thirty-five and forty-five. Nevertheless he was an extremely handsome man, of the classic Greek type in lineament, but improved, at least to the British eye, by the Saxon colouring of hair, skin, and eyes. His teeth were extraordinarily white and good for a sailor who had lived on gun-room fare in times when the ship's biscuit was flint, and the peas which rolled about in the discoloured hot water called soup, fit only for loading a blunderbuss with to shoot men dead. His eyes told their tale of drink, but they were large and fine and spirited; his light brown hair, according to the fashion of[Pg 39] the age, was combed down his back and lay in a rope-shaped tail there. He wore a wide-brimmed round hat, and his attire, a little the worse for wear, consisted of a blue coat, white waistcoat, sage-green kerseymere breeches, and, needless to say, the cravat was high and full. He stood about six feet, his figure was extremely well proportioned, and in addition to these merits his carriage had the easy elegance which the flow of the billow and the heave of the deck infuse into all human figures not radically vile and deformed. His voice was soft, winning, and somewhat plaintive, and no man, whether on or off the stage, not even Incledon, sang a song with more exquisite feeling and sweeter sincerity of passion.